真正最全的介绍(Biography篇)
[b]Early life[/b]5l+V.dN'~K6rXzAlthough Ayumi lived with her mother, she was primarily raised by her grandmother. She has vague recollections of her father as he left the family at around the time she was two, and she has not seen him since. She grew up in a very liberal household where she was expected to do what was right for her without her mother intervening in her affairs, since her mother was always out working to support the family.;J(j8b)\o4K$? YK)c
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In her youth, Hamasaki started her modeling career as a model for a local bank. During high school, she was considered a delinquent because of her dyed hair and short shirts which were considered extremely unconventional in Japan at that time. Eventually she dropped out of high school and moved to Tokyo to pursue a fulltime modeling career, supported by her grandmother.+U Z@ D$cz3L
[b]Idol career[/b]
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Hamasaki used the pseudonym Kurumi Hamazaki, acting in low budget dramas like Miseinen and b-movies like Sumo momo momo; however, she did not find success. She was too short to become a professional model. As a result, she spent her days wandering the streets of Tokyo, shopping, and dancing at clubs in the Shibuya district.6~ L%hS%?#G!@
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[b]As an artist[/b]1[Y R7of3S
The first steps Ayumi gave on music was in the rap scene. On December 1, 1995 Hamasaki's first album along side with Dohzi-T, DJ Bass NOTHING FROM NOTHING was released. There's poor information about this era in Ayu's life but it is known that there was virtually no promotion for the album. After failing to chart in Oricon, her talent agency and record label, Nippon Columbia, dropped her. After this, Hamasaki supposedly met her future producer, Masato Matsuura in a karaoke bar. (She met Matsuura in a music club/bar "Velfarre" owned by Avex Trax—big independent label that Matsuura worked for. He was impressed by Hamasaki's vocals, and when he asked her if she wanted to pursue a singing career, she said she agreed, "only because I had nothing to do". (She didn't say that at first. She first said "No way!" and was pretty suspicious of Matsuura, because of the age difference. She finally agreed to do vocal training because he kept pressing her and she indeed had "nothing better to do") Hamasaki was contracted to take vocal training in Tokyo but she stopped attending as she found it too rigid. She kept skipping the classes but didn't tell Matsuura about it. When he started calling her, she would switch off the phone, knowing that she'd be asked about the trainings. When he finally found out, for a more relaxed atmosphere Matsuura sent Hamasaki to New York, an event she would later say was exactly what she needed. Impressed by the writing style in her letters to him, Matsuura suggested that she try her hand at writing her own lyrics for her songs.
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[b]A Song for XX to LOVEppears[/b] era1i:U4~ nf L%x9X `
[img]http://content.answers.com/main/content/wp/en/thumb/b/bb/150px-Song_for_xx.PNG[/img]n3@/T'B H vUo$d"G
Promotional picture of "A Song for ××"9e\ PQv _s.f~'~.v
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Hamasaki has never had any formal instruction in lyric writing, but is able to draw on her emotions to write her lyrics. Her producer, Max Matsuura has stated repeatedly that she has a gift which only develops with practice and that it is highly unusual for such a young artist to be so articulate and mature in her writings. Also, Hamasaki's song writing abilities have been repeatedly compared to those of Utada Hikaru, although their styles are in fact markedly different.
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In 1998, Ayumi's debut single, "poker face", was released. The single debuted #22 on the Oricon charts and sold 43,000 copies, and started to gain more fame since then. At the release of her 4th single, "Depend on you", she got into the Top 10 of the charts for the first time. "Depend on you" was the main theme of videogame Thousand Arms. She got her first #1 spot on the charts with her debut album "A Song for XX", released on January 1, 1999. The album quickly became certified platinum.
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Her first #1 single also came in 1999 with the release of "LOVE ~Destiny~", song produced by Tsunku. Since the release of the 9th single, "Boys & Girls", her singles changed format from 8 cm to 12 cm discs (which could hold more data), following the trend of the music industry. As a result her singles began to feature more tracks, namely, remix tracks. "Boys & Girls" its first week didn't get the 1st spot on the charts (Mainly because of known rival Ami Suzuki and her single "BE TOGETHER"), but in the second week she reached the 1st place; the single is her first certified platinum. "BE TOGETHER" ended up selling around 800,000 copies total. However, "Boys & Girls" sold over one million copies.
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Her 10th single "A" is at the moment her best-selling maxi with more than 1,600,000 copies sold. Oricon recently announced "'A'" as the 6th highest selling single from a female artist during the last 10 years.
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[img]http://content.answers.com/main/content/wp/en/thumb/e/e8/150px-LOVEppearsPromoPicture.jpg[/img]
Promotional picture of LOVEppears
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In November 1999, she released her second album, "LOVEppears", less than a year after her first. The album sold over two million copies. However, a controversy arose due to the front cover of the album which feautured her topless with only her hair covering her breasts. The single "appears" was released the same day. Following the release of "LOVEppears", were two recut singles from the album because of her big success. Those singles were "kanariya", released in December, and "Fly high", released in March of the following year. The song Trauma was also a popular hit. b _G em*a9n;Rk}{\
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Promotional picture of "Duty"yZ6m~Q,M A
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In 2000, she became a spokeswoman for KOSE, a cosmetics company in Japan. When she appeared in commercials to promoted Kose's lipsticks, a record 500,000 lipsticks were sold in only two days. Her single "vogue", which was used as background music, also benefitted from this commercial, selling over 700,000 copies. She also became a spokesperson for TU-KA and promoted their cell phones. At this moment she was already very popular, being featured in articles about her successful life and style.
From April to June of 2000, she released one single per month, "vogue", "Far away", and "SEASONS", which would later be coined as The Trilogy because of the similar themes in lyrics and connected music videos. September saw the release of her third full-length album Duty. Duty, like her previous studio albums, topped the charts and went on to sell 3,000,000 copies, making it her highest selling original studio album. On the same day, the limited pressing single, "SURREAL", was released, and it also topped the charts, and with her "Ayumi Hamasaki Concert Tour 2000 A" also topping the DVD charts that week, it made her the first artist to top three charts on the same week.
[b]A BEST to I am... [/b]era
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[img]http://content.answers.com/main/content/wp/en/thumb/0/05/150px-Iampromo.PNG[/img]
Promotional picture of "I am..." b,a-o,\6w7e?I
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To round off the year 2000, the single "M" was released, and became her fourth million selling single, selling over 1,300,000 copies. The song "M" saw Hamasaki take more creative control of her music, as she started to compose some of her songs under the pseudonym CREA. That year, a controversy was started when her compilation album "A BEST"'s release date was changed to put her in direct competition with Utada Hikaru's second album Distance. Though Distance topped the charts first week, A BEST topped the following week, and although both albums sold over 4,000,000 copies, this change staggered the sales of both albums. "Distance" and "A BEST" were the 1st and 2nd best selling albums of 2000 respectively.M Yk2U,n M gb5P
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However, it was made clear in interviews that it was not her wish to release the best album, as she felt that a best album seems to indicate the end of a career. Matters were made worse with all the public attention on the "competition" between the two.cZF c}T \4V'i g
Later in 2001, her second eurobeat remix album became the second remix album in Japanese history to top the charts, following MISIA's "LITTLE TOKYO". When her 4th album's release was delayed, stock prices for avex trax began to decrease, showing the amount of influence she wielded. It was estimated around that time that she was responsible for 40% of the avex trax's profit. In December, her duet with Keiko of globe was released as a single for avex's nonprofit project, Song Nation, which raised money for the victims of the 9/11 terrorist attacks. On the first day of 2002, her fourth album I am... was released, and like its predecessors LOVEppears and Duty, it achieved double-platinum status, with sales of 2.3 million copies. A BALLADS to RAINBOW era
[img]http://content.answers.com/main/content/wp/en/thumb/c/cc/150px-A_BALLADS3.PNG[/img]
Promotional picture of "A BALLADS"
The release of "Free & Easy" in April saw a complete shift in the trend of Hamasaki's singles, away from multiple remix tracks. The single only featured two remixes alongside the title track. The single also threatened to break her string of consecutive number ones, as Mai Kuraki's "Feel fine!" single (released on the same date), briefly topped the daily charts. However, "Free & Easy" eventually claimed the top spot only the weekly chart. Her fifth platinum single "H" was released in July of that year. Like "A", this single featured multiple a-sides; however, unlike "A", this single did not contain any remixes. Her followup single "Voyage" had an extended music video to promote it - a short film titled Tsuki ni Shizumu (or Sinking into the Moon), which featured Hamasaki acting for the first time since her idol days.
[img]http://content.answers.com/main/content/wp/en/thumb/5/58/150px-RainbowPromoPic.jpg[/img]
Promotional picture of "RAINBOW"
The much-hyped studio album "RAINBOW" was released in December. Though "RAINBOW" broke the one million mark in the first week, it was the first of Hamasaki's albums since "A Song for ××" to not reach double-platinum status. The album featured more of CREA songwriting and composition like the previous album, and saw her first use of English phrases in her songs (other than her song "LIMIT" on her first album "NOTHING FROM NOTHING"). The album had a massive promotional campaign, where the buyers of the more-expensive initial pressings could access a password-only website that featured a part of the instrumental version of the title track "RAINBOW" that was not on the album. Once accessed, fans could submit their own lyrics and suggestions for the song. Over 100,000 people accessed the website. The song was later featured on her ballad compilation album "A BALLADS", which was released on March 2003. Though promoted extremely well, "A BALLADS" experienced slow but steady sales, and has recently passed the million threshold. Many of the songs on the album had already been featured on her previous compilation album, "A BEST", and the album featured only two new songs, possibly leading to these low sales. "A BALLADS" is Hamasaki's second lowest selling album in her avex discography.?"nC u|B9xm
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Memorial address to MY STORY era
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[img]http://content.answers.com/main/content/wp/en/thumb/7/70/150px-Memorialaddress.PNG[/img]IK!E F!j8U,M
Promotional picture of "Memorial address""K&rS0o(iN Q
In July, "&" was released - her first single in nine months. Like the single "H", "&" featured three prominent tracks, but also featured the b-side "theme of a-nation '03". This was Hamasaki's last single to sell over 500,000 units on the Oricon Charts. The follow up single, "forgiveness" would continue Hamasaki's string of number one singles, but underperformed saleswise in contrast to her previous efforts, barely selling 220,000 copies in contrast to the sales of "&", which netted sales of over 570,000. After the releases of the "forgiveness" (August) and "No way to say" (November) singles, she released her first mini-album, "Memorial address", which only featured three new songs. "Memorial address" was unique because all of the songs, except for the title track (which was a bonus track), had a music video. "Memorial address" was also her first album to be available in CD only or CD+DVD formats. Memorial address made her the only female solo artist to have a mini-album go platinum.
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[img]http://content.answers.com/main/content/wp/en/thumb/0/00/150px-My_story43.PNG[/img]
Promotional picture of "MY STORY"
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In the spring of 2004, Hamasaki released "Moments" in both a CD only and CD+ DVD combination, something which she remains to do now. It was featured in her last Kose Visee commercial before her contract with the cosmetics company ended. In July that year, internal strife in her recording company, Avex Trax, occurred. A feud between Max Matsuura and Yoda, an executive at Avex Trax, caused chaos and also sparked rumors that Hamasaki and other popular artists in Avex Trax including hiro, Every Little Thing, hitomi, and Do As Infinity might leave the record company. As a result, the stock prices for Avex Trax began to plunge; when Hamasaki sided with Matsuura (stating that whatever he does, she would do too), Yoda ended up resigning, effectively ending the feud. However, because of this, she also announced she would not participate in the major music rewards anymore.!J:u B.p8Nn
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In December of 2004, she released her sixth studio album "MY STORY" which was certified platinum, selling over 574,000 copies in the first week, and netting sales of over 1,140,000 copies, making it the second highest selling female album of the 2005 Oricon year.FD"T^!t2f"i
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Her highly-anticipated 35th single, "STEP you/is this LOVE?", was released in April. It was the first time that Ayumi released a double a-side single ("STEP you" used in TV spots for Panasonic and "is this LOVE?" for Morinaga chocolates). The single was number one in the daily, weekly and monthly Oricon charts. It held the #1 spot on the weekly charts for 2 weeks in a row. This single went on to sell over 345,000 copies, her highest selling single for the year of 2005. H*i(b `/[` t[
[img]http://content.answers.com/main/content/wp/en/thumb/c/c9/150px-Missundrstoodpromo.jpg[/img]
Promotional picture of "(miss)understood" G8o*K S[$}#[/@%T
Her 36th single was "fairyland", released on August 3rd, 2005. It debuted at #1 on the Oricon charts. The single was coupled with (c/w) a B-side track, "alterna". It is also her first single to feature different cover art for the CD version and the CD + DVD version.
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Her 37th single was "HEAVEN" released on September 14, 2005. The song was used as the theme song of the movie SHINOBI. The single also included a B-side track, "Will" which she co-composed under the name of CREA. It was her 12th consecutive #1 single starting with "Free & Easy" in 2002.#cyE8G.m'Ma
Hamasaki’s 38th single, "Bold & Delicious/Pride", was released on November 30, 2005. This single is one of the most different for the artist with a completely new sense of music style, away from her previous works. She listened to some of Sweetbox’s music and asked Geo (composer), to use some of her music. The single was not very successful, debuting with sales of about 84,000, very low on Ayumi standards. The single barely held the #1 position for the week but continued her streak of #1 singles. This was the single that tied her with Seiko Matsuda for most #1 singles by a solo female artist(25).n d G o1lN@ g
Ayu’s 7th studio album, "(miss)understood", was officially released on January 1st, 2006. It debuted with sales of about 650,000 copies reaching the #1 spot on the World Global Charts. 虽说能看懂大部分内容，但是要是有中文版的会更好:smilies01 [img]http://content.answers.com/main/content/wp/en/thumb/0/00/150px-My_story43.PNG[/img]
这张好漂亮~~,Ud'Rtw-W(x
以前没见过 谁来翻译下..
看英文的好辛苦..
我想起六级考试做阅读理解..7kx5Coj;C s yb
:smilies10 要是六级的阅读理解出这个文章，我不用读都敢直接选答案:smilies03 要不要我用个金山来番一个:smilies06 好啊 翻上来吧:smilies08 全英文....+kJU7DM0u(N
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完全看不懂...:smilies10 [b]先翻译前面一段[/b]Dg/J%Y h
[b]今天上班好累[/b]}[ ej9W"`
[b]瞌睡虫爬出来了...[/b]E"p ~R.A Plp
[b]改日再写下面的[/b]
[b]时间匆忙请大家看看意思即可...如有差错请指正![/b]o dvvL L'F Uc
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[b]早期生活[/b]
尽管Ayumi和妈妈一起住，但是她是由奶奶抚养大的。她依稀回忆起爸爸是在她两岁左右离开了家，从此以后再也没有回来。Ayu成长在一个十分宽松自由的家庭里，她可以做她自己认为正确的事情，妈妈不会干预她，因为为了养家，妈妈总是外出工作。EzT*P`
Hamasaki从少女时期就开始了她的模特生涯——为当地一个银行做模特。在高中的时候她被认为是不良学生，因为她染发、穿短裙，这在当时的日本是极其叛逆的行为。在奶奶的支持下，她从高中辍学搬到了东京，从事专业模特的工作。
[b]模特生涯[/b] s.]5W p*xZ;H
Hamasaki用Kurumi Hamazaki的化名演出低成本的戏剧（例如"Miseinen"）和B级片（例如"Sumo momo momo"），但是她没有成功。对于专业模特的要求来讲，她太矮了。于是她整天都徘徊在东京的街头，购物，或是在Shibuya的夜店里面跳舞。A D B)`"^f| gX
[b]作为艺人[/b]
Ayumi在音乐上迈出的第一步是在rap领域。1995年12月1日Hamasaki和Dohzi-T合作的第一张专辑DJ Bass NOTHING FROM NOTHING发行了。这张唱片在Ayu的人生中几乎没有留下什么讯息，事实上这张唱片根本就没有被推广过。由于没有进入Oricon榜，她的天才经纪人和唱片公司Nippon Clumbia和她解约了。之后Hamasaki在卡拉OK店里偶然遇到了她未来的制作人Masato Matsuura。她和Matsuua是在一个名叫Velfarre的音乐酒吧/俱乐部里遇到的，Velfarre属于Matsuua工作的独立品牌公司Avex Trax所有。他对Hamasaki的声音留下了深刻的印象，当他询问她是否愿意成为一名歌手的时候，她同意了。（她一开始没同意，她说“没门”并且对Matsuura十分怀疑，因为他们年龄有差别。Ayu最后同意参加声乐训练是因为Matsuura一直说服她，而她那时也“没什么更好的事情做”）Hamasaki签约参加在东京举办的声乐训练，但是她没坚持上课因为课程太严格了。她一直逃课不过没有告诉Matsuura。他打电话来的时候她知道他要问训练的事情，于是就把电话关掉。最后他还是知道了这件事情，送Hamasaki去了纽约，那里有更轻松的环境与日后她自己都说正式她所想要的课程。Ayu写给Matsuura的信给他留下了很好的印象，他建议她可以尝试为自己的歌曲填词。 [b]A Song for XX 到 LOVEppears 时期[/b]n!D"K C6b s2D
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[img]http://content.answers.com/main/content/wp/en/thumb/b/bb/150px-Song_for_xx.PNG[/img]
A Son for XX 的宣传照
Hamasaki从来受过关于撰写歌词的正规训练，但是却能够抓住自己的情绪去创作。她的制作人Max Matsuura反复强调她的天赋只有通过实践才能发挥出来，对于那么年轻的艺人来讲，如此清晰成熟的写作风格是十分少见的。与此同时Hamasaki的歌曲写作能力被反复拿来同Utada Hikaru比较，尽管她们的风格显然是不一样的。
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1998年，Ayumi的首张单曲"pocker face"发行了。这张单曲登上了Orincon的第22位，销售达43,000张，并且逐渐开始出名起来。在第四张单曲"Depend on you"的时候，她首次进入了排行榜的Top 10。"Depend on you"是电子游戏Thousand Arms的主题曲。她凭借着1999年1月1号发行的首张专辑"A Song for XX"首次登上了排行榜的第一位。这张专辑很快达到了白金销量。(Vq)LO3w
Ayu的第一支冠军单曲，由Tsunku制作的"LOVE ~Destiny~"也是在1999年发行的。从她的第九支单曲"Boys & Girls"起，她的单曲碟片尺寸跟随唱片业的趋势从8cm改到了12cm（能够容纳更多的数据），与此同时她的单曲开始制作多个版本，也就是混音版本。"Boys & Girls"第一个礼拜没有拿到榜单的第一位（主要因为竞争对手Ami Suzuki的单曲"BE TOGETHER")，但是第二个礼拜就达到了第一，这是她的第一支白金单曲。"BE TOGETHER"最后售出了800,000份，然而"Boys & Girls"的销量超过百万。
她的第十支单曲"A"达到了她个人销售的顶峰：1,600,000张。Oricon最近将"A"排为近10年来女性艺人单曲销量榜的第6位。 感觉自己白做工了……,a0K~X'D` h5L7B |
真可惜，不过楼上的翻译真的很好……[tD4c+D ^
比我快多了……我才翻译到[[b]模特生涯[/b]]……1K6S5v+HBS6dN5v:V-N
不过那里我翻译的是[b]早期职业[/b]........我翻译到哪里就结束到哪里吧~~~也算是做个纪念……不过我翻译的会有些问题，见谅~~~这个是我晚上睡觉前翻译的，精神状态不是很好……
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[[b]早年生活[/b]]
虽然滨崎步是和妈妈在一起住，不过她主要是由奶奶带大的。自两岁父亲离开后就再也没有见过，因此在她的脑海中只留有父亲那含糊不清的身影。滨崎步的家教方式十分自主，由于母亲为了一家生计努力工作无暇介入她很多，那个时候的滨崎步已经可以自己去做认定是真确的事了。
仍处于青少年时期的她为一家当地的银行做模特并视此为自己的职业。整个高中时期都被认为是不良少年——染发、超短裙……这一切的一切都与那时日本的传统相违。她终因此被学校开除，辍学的她在奶奶的支持下前往东京正式的从事了模特这一职业。 n Q0f7X+e H d*O
[[b]不现实的职业[/b]]
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滨崎步早先出没于各种低成本的舞台中，化名“胡桃步”（我后来才知道是くるみ 滨崎）出演《未成年》（misenen）《相扑扑扑》（Sumo momo momo，这个是我从网上看到的……）等戏剧节目。但这样的工作并未给她带来多少成就，对她来讲她的身高就已经阻挡了自己成为职业模特的路。也正因此，那时的滨崎步成天都在徘徊在东京大道上，商店间以及渋古(しぶや - Shibuya)区跳舞。
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到此为我的翻译，希望amita多多加油~~我也会把东西翻译完的~~^_^
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编辑一下~~补一张照片……
再声明一下：
渋这个字由于我不知道怎么读，是翻我家那本世界年鉴才找到shibuya这地名的，所以用微软的手写板输入了进来……别问我怎么读~~~谁知道不要忘记帖一个~~大家一起共享知识……
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[[i] 本帖最后由 LBZZ 于 2007-3-22 16:23 编辑 [/i]] 其实我觉得我们完全可以去找中文写的一篇报道看了
内容大同小异... LBZZ既然你翻了那么我就偷懒一下了?
哈哈哈我是超级懒人... M.Ab u.q @u {
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中文报道的确是差不多的z*uU3M cC z+V}D yz
而且 这些内容已经被说了很多次了~ 其实主要是ayulovepp想看中文版的我才想在楼下翻译出来......
现在好象已经来不及了...%l Z7K5X#C5O&l(p
那就按照TT说的办吧? 小弟刚来。。。发现好像还没翻译完。。随便翻了一小段。哈哈。翻得不太好。;['W*nH$Aw-XT3`
楼主莫怪。
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[img]http://content.answers.com/main/content/wp/en/thumb/b/bb/150px-Song_for_xx.PNG[/img]
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LOVEppearsa的宣传照
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在1999年11月，在发行第一张专辑的不到一年后，她发行了她的第二张专辑“LOVEppearsa”。这张专辑卖出了超过200万张。然而她在专辑封面中仅仅用头发遮盖她裸露胸部的形象也引发了一场争议。单曲“appears”也在同一天中发行。随着“LOVEppears”的发行，2首来自这张专辑的单曲也因为她的巨大成功重新剪辑。一首“kanaria”，99年12月发行。另一首“Fly high”次年3月发行。同时“Trauma”也造成了一定的流行冲击。
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[img]http://content.answers.com/main/content/wp/en/thumb/c/c6/150px-Duty.PNG[/img]
Duty的宣传照
2000年，她成为了一家日本化妆品企业KOSE的代言人。当她在为Kose的口红做了广告宣传之后，创造了2天内卖出50万支口红的记录。她的单曲“vogue”，同样得意于被用作商业广告的背景歌曲，卖出了70万张。她同时也成为了TU-KA的代言人，推广他们的手机产品。这个时刻她已经真正非常走红，她生活和风格成为了流行风向标。K o U h ]Zr
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2000年的4月至7月，她每月发行一张单曲，"vogue", "Far away", 和 "SEASONS"，在之后因为它们相似风格的歌词及MV内容被制成了三部曲。9月我们可以看到她发行了第三张大碟“Duty”。像她之前的大碟一样，在销量榜上登顶并且持续发售出了300万张，成为她发行量最高的专辑。同一天限量发行的单曲“SURREAL”也发行了发售，同样也成为了最高销量单曲。同时在那个星期她的“Ayumi Hamasaki Concert Tour 2000 A”成DVD销量第一。她成为了第一个在同一个星期内成为三项销量第一的艺人。 大家都辛苦了 不容易啊 不管是AYU 还是大家
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